John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
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John Henry Twachtman Azaleas oil painting


Azaleas
mk177 1898 Oil on canvas 30x24
Painting ID::  44837 		John Henry Twachtman
Azaleas
mk177 1898 Oil on canvas 30x24
   
   
     
John Henry Twachtman New York Haffen oil painting


New York Haffen
mk181 1879 Cincinnati
Painting ID::  45309 		John Henry Twachtman
New York Haffen
mk181 1879 Cincinnati
   
   
     
John Henry Twachtman On the Terrace oil painting


On the Terrace
mk196 c.1897
Painting ID::  49466 		John Henry Twachtman
On the Terrace
mk196 c.1897
   
   
     
John Henry Twachtman Winter Scene oil painting


Winter Scene
mk212 1890-1900 Oil on canvas 76.5x76.5
Painting ID::  50578 		John Henry Twachtman
Winter Scene
mk212 1890-1900 Oil on canvas 76.5x76.5
   
   
     
John Henry Twachtman Winter Harmony oil painting


Winter Harmony
mk235 c.1890-1900 Oil on canvas
Painting ID::  54485 		John Henry Twachtman
Winter Harmony
mk235 c.1890-1900 Oil on canvas
   
   
     
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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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